Burberry Blue Label showed his old lukbuk 2011. Brand presented a bright rain-coats and Beautiful umbrellas for rainy weather.Traditionally, the brand Burberry is not ashamed to use in their collections are bright, rich colors. After all, they give light and mood.
Showing posts with label fashion. Show all posts
Showing posts with label fashion. Show all posts
Friday, July 8, 2011
Wednesday, June 22, 2011
Staring at dykes on trains
Article originally submitted to Gender Agenda Zine, edited by Elly Robson and Clementine Beauvais, whose wonderful cartoons you can find here: Doodles from the Bubble
Saturday afternoon. I’m wearing a yellow vest top and long adidas shorts, listening to Sleater-Kinney at their angry best, reflecting portentously upon an event of singular importance: my next haircut. Should I go for the quiff and shaved side bits again, or is it time to change to the andro-summer crop? Every recent hairdressing experience of mine features this exchange - ‘I won’t cut it that short, you don’t want to look like a boy’... ‘No, I do! Make me a boy! I like masculine! Actually, maybe that’s too short. Oh God, what have I done?! Maybe it will be ok with lipstick.’
Its a truism that every lesbian looks like a lesbian in some sense. But if every lesbian really looked that different we wouldn’t be recognisable at all, and we are. Much of my commuting time over the years I’ve been living in London has been dedicated to figuring out what gives the game away, what distinguishes a straight-looking woman from an obviously, irreversibly flaming dyke.
From humble beginnings trying unsuccessfully to catch the eye of an attractive, shaven headed, twenty stone, dungaree-wearing bull-dagger holding a copy of the (sadly defunct) Pink Paper - she stared me down mockingly as she left the train - I have come to know something of what the signs are.
There are the socially visible markers of a woman with a butch identity. Docs, crop, shirts, jeans, ties, the ‘I can take you, your best friend, and your mother. As long as you all consent.’ attitude. There are the East Londoner signs: slightly more androgynous than your average hipster, likely to be found wearing an aggressive jacket. There are the femme indicators, sometimes nothing more than a look in the eye, a slightly geometrical haircut, short nails, and the all-over back-at-you appraisal which is definitely (in my imagination) more I’d-like-to-fuck-you than I-like-what-you’re-wearing-oriented.
There are lesbian-feminists from the hallowed field of Greenham Common. I often see them holding ‘zines, wearing badges and studiously defying fashion fascism all at once. There are queers who defy fashion fascism by denying that fashion could exist as a meaningful class. There are the bisexual women who might fall into any of these camps.
And of course there are the lesbians that don’t look back at me, who I don’t recognise and can’t put into a lesbian-concepts box based on outmoded ideas about what we look like. There are the straight women who I prejudicially stereotype as lesbians because they’re wearing plaid shirts. There are women of all orientations who probably want to know why I’m looking at them when they’re trying to get to work.
The train is one thing. The scene is another. In a lesbian club, or, more likely, a ‘mixed’ night (i.e. 94% cock, 5% cunt, 1% other) you’d be forgiven for the default assumption that whatever the woman in front of you looks like, she’s on the team. But given the straight female penchant for turning up with gay men at gay nights, it is not just interesting but also quite useful to keep an eye out for lesbians.
Please bear in mind, when I say that, that I once spent a significant proportion of a night chatting up the only straight girl at Brighton Pride. (She didn’t tell me until I tried to kiss her. She was at PRIDE, LESBIAN PRIDE, and I could not have made it more obvious that I was flirting.)
Anyway, in amongst this resuscitation of ideas so hackneyed they lived in squats in Dalston before it was hip, there is a point, I promise. Here it comes.
Why have I spent years, mostly on the tube, trying to distinguish dykes from heteros based mostly on cliche-driven assumptions? It’s not just because trains are long and boring, its because, in this big bad heterosexist world, seeing another queer woman is a little bit of reassurance. When I catch a lesbian’s eye and she catches mine back before I look away in terror, it’s a small affirmation of a shared identity. That’s what it is to me, anyway. And by the way, speaking as someone who has been scared of ‘looking like a lesbian’ for my whole life, I don’t think we should be scared of admitting that there is something true enough to stereotype that the many cultural signifiers of queer-woman-hood are visible to those who look.
By the way, for those of you that find this article pointless, superficial, objectifying, banal and generally offensive, feel free to leave a comment.
Thursday, June 16, 2011
Such a great MESS!!!

Hace unos días tuve el honor de recibir un mensaje del gran creador y nuevo descubrimiento para mi, Edvard Mess. El me pedía se hiciera justicia al otorgarle crédito sobre sus creaciones en uno de los últimos posts que escribí. Así que edité aquel post, agregando su nombre y su web site, sin embargo creo que un poder creativo y estético tan fuerte como el de este señor, merecen por si sólos un post exclusivo.
Edvard Mess (Michał Edward Szlasa) es una nueva figura en el mundo de la moda Polaca y Europea. Es recién graduado de Szkoły Kostiumografii i Projektowania Ubioru w Warszawie (espero que el dato sea correcto).
Edvard presentó su primera colección para hombre titulada Grenouille, la cual evoca cierta sensibilidad sobre el lado obscuro de la sexualidad humana. Inspirado en actividades sadomasoquistas y la música de Lady Gaga y Marilyn Manson, su coleeción juega con los confines de roles de género y los placeres del dolor.
Una colección totalmente impactante, que bien es clasificada en estos momentos por los expertos como Avant-garde, pero que el mismo Edvard se niega a ser etiquetado como un diseñador Avant-garde y quien asegura en un futuro poder entrar en el diseño para mujeres y de ropa mucho más convencional. Sin duda será un diseñador al cual se debe seguir la pista.
Un nuevo favortio de Dulce-Fetiche!!

Such a great MESS!!!

Hace unos días tuve el honor de recibir un mensaje del gran creador y nuevo descubrimiento para mi, Edvard Mess. El me pedía se hiciera justicia al otorgarle crédito sobre sus creaciones en uno de los últimos posts que escribí. Así que edité aquel post, agregando su nombre y su web site, sin embargo creo que un poder creativo y estético tan fuerte como el de este señor, merecen por si sólos un post exclusivo.
Edvard Mess (Michał Edward Szlasa) es una nueva figura en el mundo de la moda Polaca y Europea. Es recién graduado de Szkoły Kostiumografii i Projektowania Ubioru w Warszawie (espero que el dato sea correcto).
Edvard presentó su primera colección para hombre titulada Grenouille, la cual evoca cierta sensibilidad sobre el lado obscuro de la sexualidad humana. Inspirado en actividades sadomasoquistas y la música de Lady Gaga y Marilyn Manson, su coleeción juega con los confines de roles de género y los placeres del dolor.
Una colección totalmente impactante, que bien es clasificada en estos momentos por los expertos como Avant-garde, pero que el mismo Edvard se niega a ser etiquetado como un diseñador Avant-garde y quien asegura en un futuro poder entrar en el diseño para mujeres y de ropa mucho más convencional. Sin duda será un diseñador al cual se debe seguir la pista.
Un nuevo favortio de Dulce-Fetiche!!

Tuesday, May 10, 2011
Leather jump!

El modelo Kamil M, en un shooting muy activo cubierto en piel y metal, fotografiado por Piotr Rychlicki. Highlights: camiseta con mangas de murcielago, botas de impacto y eye cover Elle Driver meets Lady Gaga.
Las bellas piezas utilizadas en el shooting son de un diseñador llamado Edvard Mess, como parte de su colección "Grenouille" y algunas más de su colección personal. Más información de Edvard Mess en:



I'm so sorry about the misunderstanding Edvard Mess. You have the credits now.
We love your art
and hope we can get in contact to collaborate together in the near future.
Leather jump!

El modelo Kamil M, en un shooting muy activo cubierto en piel y metal, fotografiado por Piotr Rychlicki. Highlights: camiseta con mangas de murcielago, botas de impacto y eye cover Elle Driver meets Lady Gaga.
Las bellas piezas utilizadas en el shooting son de un diseñador llamado Edvard Mess, como parte de su colección "Grenouille" y algunas más de su colección personal. Más información de Edvard Mess en:



I'm so sorry about the misunderstanding Edvard Mess. You have the credits now.
We love your art
and hope we can get in contact to collaborate together in the near future.
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